Soulsinging:  Songs of a Wounded Princess (in manuscript)

 

"Brass Bodies Study Offers New Understanding on the Distinctive Physicality of Female Brass Musicians,"  International Musician, January 2020.

 

"Female Brass Players Negotiate Change: A Report of Selected Survey Data from the Brass Bodies Study," National Association of Wind and Percussion Instructors (Fall 2019)

​

"Female Brass Musicians Address Gender Parity, Gender Equity, and Sexual Harassment, A Preliminary Report on Data from the Brass Bodies Study,"  Societies 9/1 (March 2019)

​

"Dirty Love: Frank Zappa and the Antithetical Love Song," Rock Music Studies 23/1 (March 2018)

 

"Rockin' it Local: Women's Rock Bands in the Twin Cities." In A History of Womens' Bands in the United States, ed. Jill Sullivan. Rowan and Littlefield, 2017.

​

"Recovery Blues: Healing the Musical Self." In Notes of Hope, Stories of Musicians Coping with Injuries, ed. David Vining.  Mountain Peak Music, 2014.

“Working After Breast Cancer Treatment: Lessons from Musicians,” Medical Problems of Performing Artists, Dec. 2012 (co-authored with Charles Gessert, Jean Giebenhain, and Lisa Starr).

​

“Livelihood vs. Life: The Occupational Well-Being of Women Musician Survivors of Breast Cancer,”  Medical Problems of Performing Artists, March 2012 (co-authored with Charles Gessert, Jean Giebenhain, and Lisa Starr.)

​

“Hearing the Other in ‘Masque of Blackness.’”  In Blackness in Opera:  How Race and Blackness Play Out in Opera, ads. Naomi André, Karen M. Bryan, and Eric Saylor, 32-54. University of Illinois Press, 2012.

 

“Shaping Uplift Through Music,” Black Music Research Journal, Spring 2009.

​

“Harriett Gibbs Marshall and Musical Spectacle at the Washington Conservatory.” In More than the Blues: Black Women in Music, eds. Linda Williams and Eileen Hayes. University of Illinois Press, 2007.

​

“Debuting Her Political Voice: The Lost Opera of Shirley Graham Du Bois,” Black Music Research Journal, Spring 2006, 39-88.

​